September C. Fawkes graduated with an English degree with honors from Dixie State University, where she was the managing editor of The Southern Quill literary journal and had the pleasure of writing her thesis on Harry Potter. Today she works for a New York Times best-selling author, is penning a novel, and sharing writing tips on her blog, which you can find at www.SeptemberCFawkes.com. You should also visit her site to learn about a fab-you-less giveaway she has going on right now.
The Basics—
Foil: “a foil is a character who contrasts with another character (usually the protagonist) in order to highlight particular qualities of the other character.” (This definition is from wikipedia, but as an English graduate, I can tell you it's accurate)
Creating a foil for your character helps highlight your characters’ qualities. In Harry Potter, Harry and Voldemort are foils for each other. Harry is protected by love while Voldemort is harmed by it. Harry sacrifices himself to save others. Voldemort sacrifices others to save himself. Harry ultimately greets death like an equal. Voldemort does everything he can to escape it. Because they are opposites, it's easier for readers to notice their attributes; Harry knows love, has courage, and serves others while Voldemort, in reality, doesn't have any of those.
In Les Miserables, Jean Valjean and Javert are foils. Valjean is full of mercy. Javert is full of justice. Valjean believes people can change and change for the better. Javert doesn't. Valjean breaks laws. Javert goes above and beyond to keep them. Their differences are more obvious when they have each other for comparison.
Often you'll see the protagonist foils the antagonist, (and often they will share similar origins,) but foils can be any two characters.
Taking it Further—

This concept is what makes Katniss in The Hunger Games such a remarkable character. The fact she volunteers to take her sister’s place is more astounding when we learn no one else has done such a thing in District 12. Ever. She is extraordinary compared to others.
In my story, I want to highlight how exceptional a particular relationship is, so I’m making sure to include horrible relationships in my plot as well.
Giving a Character Two Foils—

In Henry IV Part 1, Prince Hal is a character with two foils. On one side of him, there is Hotspur, who is obsessed with glory and honor, on the other side, there is Falstaff, who rationalizes that honor isn’t that important; after all, it doesn’t provide food or guarantee his life. Hal fits in the middle, and as such, the audience perceives him as “just right”--he is the perfect balance.
Like Hal, Frodo has two foils. While going to Mordor, he travels with Smeagol and Sam, who are opposites. Smeagol is obsessed, tormented, and consumed by the Ring. Sam, however, is free of the Ring’s power, having never held it. He sees the Ring for what it really is and regards Smeagol with disgust. Frodo fits in the middle. He relates to Smeagol, perceiving the creature as what he could become, and at times longs to keep the Ring. But Frodo is like Sam in his determination to destroy it. Sam and Smeagol help illustrate Frodo’s complexity.
(And as opposites, Hotspur and Falstaff, and Smeagol and Sam, foil each other as well.)
A Warning—
Be careful what direction you take your foils. For example, you wouldn’t want to make a woman look stronger by making all the men in the story complete idiots. So be smart about it.
So, I'm just wondering, what are everyone else's favorite foiling characters?
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